Thursday, January 5, 2012

PULSE: WHAT I'M WEARING NOW; The Actress

It's wonderful to find old articles about Kathryn but this way it's much harder to find additional stuff like belonging photos. I also don't found much information about this supporting breast cancer party.

By Ellen Tien, NYTimes.com
Published: October 28, 2001

If Prada and Gucci are generally Hollywood's Most Wanted -- with movie and television actors covering themselves in brand names as if they were race cars -- Kathryn Erbe is uniquely un-Hollywood. "I won't spend lavishly on a trend," she said, "because I know I'll only wear it for about a minute."

Ms. Erbe, who plays a detective on "Law and Order: Criminal Intent," fills her closet with clothes from stores like Banana Republic and Urban Outfitters. While her television wardrobe consists mostly of tailored pantsuits by Armani and Ann Taylor ("The network guys said, 'No skirts.' Since I'm only 5 foot 4, they felt that pants showed my figure more"), her standard daytime wear consists of Levi's jeans, Gap T-shirts and a Tibetan monks' bag.

Last week at a party sponsored by Saks Fifth Avenue for National Breast Cancer Month, Ms. Erbe dressed true to form, in a Fashion Targets Breast Cancer T-shirt ($25 at Saks Fifth Avenue), Joie jeans with crystal detailing on the pockets and legs ($125 at www.funkylala .com), a Catherine Malandrino red star belt ($198 at Henri Bendel), red stiletto Michael Perry ankle boots ($440 at Michael Perry) and an old Betsey Johnson leopard handbag.

This winter, Ms. Erbe plans to stock up on Chaiken and Capone trousers and studded boots and bags from Eidolen in Brooklyn. She's also searching for the "perfect" down coat. And while her Brooklyn address means she generally shops downtown, "my shrink's uptown, so I can pop into the uptown stores once a week," she said.

Photo (Christopher Smith for The New York Times)

Wednesday, January 4, 2012

Yosemite Rehearsal

The Rattlestick Playwright Theater published two rehearsal photos on twitter and their facebook page.


Here's another rehearsal pic from yesterday of 'Yosemite'! These guys are amazing and so phenomenal in DT's play we can't even say. :)

I so love Kathryn's happy being. She looks gorgeous.


Here's a pic from rehearsal for 'Yosemite' today and we couldn't love these guys more, and if you're around and free starting January 18th please come check out their brilliant butts.

Much love and Happy New Year,
The Stick gang :)
— with Pedro Pascal, Evan F. Caccioppoli, Daniel Talbott und Seth Numrich.

Remember Yosemite's opening is just around the corner. Previews start Jan. 18! You can get your tickets here at Ticket Central.

Sunday, January 1, 2012

TVRealm: episode 3 x 04 - Multimedia BINGO

Episode: Episode 3 x 06 - My Awards Show for the [info]tvrealm landcomm.
Ep Summary: Complete TWO sets of 5 squares with writing or graphics.

My Card Contains: 1 fanfic < 500 words, 2 icons, 3 gifs, 1 wallpaper of Criminal Intent, V (2009), Glee and House MD.



The End:
The End
Sorry, that this gif is so ugly. I made a much better one but that turned out so BIG that LJ, PB or imgur won't upload it.

Just Kiss the Girl:


Bliss:


Shine:


Dress up:
image name
900 x 674 - click to enlarge

Title: Cause and Effect
Fandom: Criminal Intent
Character: Alexandra Eames & Robert Goren
Wordcount: 1481
Prompts: GQMF, *NOM*NOM*NOM*, Body Parts, Cause & Effect, Wacko
Rating: Rating: K+
A/N 1: Takes place in late S10.
A/N 2: With beta help of [info]quietfireca.


Bobby Goren didn’t know if he should gasp for air or give up and break down. He wanted to laugh about the whole situation but he was afraid he would collapse.

“LEG CURL”

God, and he really had asked for this session.

“KNEES UP!”

Please NOT knees up. Everything but knees up, but Bobby lifted his legs to the beat of a very quick version of Waterloo. He turned slightly his head and watched his partner sweating.

The sessions with Dr. Gyson verified for Bobby that he needed to change something in his life. Maybe not more talking with the psychiatrist even if the mandatory meetings were not as bad as he thought they would be. But he badly wanted to tone his body again. Yes, lately he had kept an eye on his meals. More cooking plus water and less takeout plus soda had helped him lose weight. But Bobby wanted more – not GQ perfection but a few more muscles here and there would be nice. His home treadmill had been broken for years and was covered with dust. Moreover he wanted company and to not be lonely anymore. Wednesday he had asked Eames for suggestions. She had proposed the free NYPD sports program and had invited him to her aerobic workout to try it out.

“STEP TOUCH!”

Phu, the warm up was over. Alex smiled toward him as she toweled her red face. Bobby didn’t try to return the smile, knowing he would totally fail and end up with a grotesque wacko face. Instead he nodded and took a sip of water. Now began the dance part of the hour.

When Eames had talked about her dance aerobic course Bobby became very interested. He loved to dance and combining this with a little cardio would be awesome to get in shape again. He hadn’t expected that only women visited the course and that the trainer would be a post Soviet drill instructor.

“MAMBO!”

The beautiful face, the stomach like a trampoline and a butt to crack walnuts with couldn’t hide the fact that this woman liked to torture her students and there wasn’t only a little cardio.

“CHA CHA!”

But Bobby started to like the mixture of steps, turns and jumps. His arms flew elegantly through the air, his body was energized and he felt good. Even the odd gazes and smirks of the other officers couldn’t dampen his growing fun. He liked the reflection of his moving body in the one wall mirror, how he followed the instructions of the increasing choreography. Now and then he glanced at Eames. Her sweet ponytail flew around her head. She needed to concentrate to remember the right steps but her style was cool more a street dancer than an élève, which also emphasized her beige cargo slacks and the short tank top.

The second part was over in a rush. Bobby felt euphoric but as they picked up their yoga mats, he felt ----- oh, boy. I’m not sure what to do here. Also Alex’s rolling eyes didn’t calm him. 1000 sit ups in 10 different variations, hips up, legs up to tone the butt, belly and legs convinced him that the Russian slave driver liked her job too much.

“THREE SMALL!”

Bobby groaned powerlessly but he wasn’t the only objector. His muscled burned and he was ready to give up. Alex kept up till the end. Bobby always knew that his partner was a fighter and now he realized why all these skittles and cookies hadn’t spread her backside.

The cool down phase was welcomed with a collected gasp of relieve. After another 15 minutes of relaxing and stretching the aerobic course was over. Without a gaze back, slowly Bobby shuffled to the male locker room and took a hot shower to ease his shaking muscles even more.

After the dressing, Alex awaited him in the juice bar of the fitness center. Her wet hair was knotted in a chignon and she wore again her working outfit, a blue low cut sweater and dark jeans. Bobby lowered clumsily next to his partner on a bar stool and dropped his duffle bag. Thankfully he took a big gulp of the offered apple spritzer. In silence they enjoy each other company, observing through the big glass walls the next spinning lesson of their trainer.

“She is…” Bobby groaned.

“Inexorable,” Alex giggled.

“Yeah. How long have you been going to her class?”

“Must be three months now. I wanted a little variety from the usual bums, tums and thighs workout,” Alex answered. “Every Friday I go to the dance aerobic and Tuesday I have a course called boxing aerobic. There you have more arm action and also a few kicks for the legs. The muscle toning part is supported with small barbells.”

“Sounds cool and exhausting.”

“It is. I like the mix of both courses. Kickboxing against fighting suspects and the dance for a better posture. I know I’m rather a boxer than an elegant dancer but the little choreographies are fun.”

“No, you looked great,” Bobby protested.

“But the world lost a ballet dancer with you,” Alex answered, and reached for her shoulder bag and the gym bag.

Outside the fitness center both halted again.

“Do you like another drink to finish the day? Only three blocks west is a nice Jazz bar with great live music,” Bobby suggested.

“I would love to, but you know. It’s my week to check my dad.”

“Oh, okay.”

“I need to buy groceries for him and I bet his living room is a mess. Yesterday the Red Socks played and he invited friends and former colleagues over.”

“All right,” Bobby answered, trying to hide his disappointment. But he couldn’t convince his partner.

“But what do you think about breakfast tomorrow morning? We’re not on-call. There is a new bakery in my neighborhood with so so so delicious scones and pastries. I’ll get the biscuits and make scrambled eggs and you bring the coffee and the newspapers. We make a long brunch in my winter garden or on the terrace.”

“Sounds awesome,” Bobby replied. “I’ll be there around ten?”

“Great.”

Bobby touched Alex lightly on her shoulder and slowly bent deeper. Gently he kissed her right cheek and said good bye. At work they weren’t the feely, touchy, kissy friends, but today after the shared 90 minutes torture it felt right.

Already on her way to subway A, Alex turned again around to wave to Bobby before he reached the next block to his subway to Green Point.

~oOo~

Alex closed her front door with a kick and entered the kitchen, the warm biscuits under her arm. She only needed to make the eggs and set the table for the breakfast with Bobby as her phone rang. She picked up the receiver but only heard a painful groan on the other end of the line.

“Eames…”

“Goren?” Alex already picked up her car keys and the gun, guessing the worst. “What? Where are you?”

“Bed…I can’t move…worst sore muscles ever,” he whispered.

Alex burst out laughing but managed to cover the mouthpiece. She knew too well how she felt after her first lesson with Natasha.

“Stay there. I’ll come over with the breakfast. Give me 30 minutes.”

“Thanks.”

Alex reached Brooklyn in no time and used her spare keys to let herself in Bobby’s apartment, picking up the New York Times of the doorsill. With a big picnic basket, holding an extensive breakfast, she stepped toward his bedroom and knocked carefully against the door frame.

“Come in,” Bobby panted, and Alex entered the cozy den of her partner.

Cause and Effect. Yesterday Bobby was the most elegant dancer in the group, but many muscles groups hadn’t worked in months. Today he was a picture of misery. Under groans of pain he shifted his tall frame to one side of the mattress, making space for his partner.

With few words she spread the bread, pastries, jelly and cheese over the king size bed. The scrambled eggs were inside a thermos box. Alex passed Bobby his paper cup with To Go coffee. But she changed her mind and got porcelain plates and cups from the kitchen.

Alex sat down carefully at the end of the bed, smiling guiltily. “I’m sorry,” she said, buttering a half biscuit.

“No, it’s not your fault. It was all my choice to join the class.”

“The second time won’t be that grueling,” Alex answered, and rummaged in the basket.

Second time? Bobby still didn’t know how to get to work on Monday and Eames was speaking of a second hour of torture.

“Here, this bath salt and the massage oil helped me a lot after my first lesson.” Alex passed two good smelling bottles.

“I’ll try it, thank you,” Bobby said, and unfolded the newspaper to share with Alex. “How was your dad...?”

To be continued…

A/N 3: An élève is a ballet student. Natasha is inspired by my own wonderful dance aerobic trailer. She is great, a drill instructor but great. ;o)

Saturday, December 31, 2011

Happy New Year


I wish you all a wonderful and happy 2012.

I can't wait to hear more news about Yosemite and all the other projects Kathryn is planning in future. Just take a short look back at 2011...
...und einen Guten Rutsch!

2011

January:
February:March:
  • 25.02. - 08.03.: Filming L&O: CI - Boots on the Ground
  • 03: 3 Backyards sneak preview at Jacob Burns Film Center, Pleasantville, NY, 07:30 pm Q&A with Eric Mendelsohn and host Jonathan Demme
  • 06: 3 Backyards at Cinequest Film Festival in San Jose, 07:00 pm
  • 07: Atlantic Theater Company's Annual Spring Gala "Can You Spare A Dime?"
  • 09.03. - 19.03.: Filming L&O: CI - Trophy Wife
  • 11: 3 Backyards US theater release at NYC's IFC Center Q&A with Eric Mendelsohn, Kathryn Erbe, Edie Falco
  • 18: 3 Backyards at The Cinema Arts Centre in Huntington. Q&A's with Director Eric Mendelsohn and cast members.
  • 21.03.- 30.03.: Filming L&O: CI - Rispetto
April:
  • 02: Mother's House First Screening @ Rosendale Theatre; 408 Main St, Rosendale, NY 12472
  • 04: The New Group Celebrates Wallace Shawn's "Marie And Bruce" Off-Broadway Production
  • 04: The Vanishing City screening at the Brooklyn Law School
  • 11.04.-20.04.: Filming L&O: CI - Cadaver
  • 15: The Vanishing City screening at University of Maine, Portland Maine
  • 21.04.-02.05.: Filming L&O: CI - The last street in Manhattan
  • 25: The Vanishing City screening at Film Forum, NYC with Kathryn and Erica Hampson
May:
  • 01: Start of Criminal Intent Season 10 on USA Network
  • 02: Attending the 2011 USA Upfront at The Tent at Lincoln Center
  • 03.05.-13.05.: Filming L&O: CI - Icarus
  • 04: On PIX - Morning News with Tamsen Fadal
  • 09: Attending The New Group's 2011 Gala Honoring Wallace Shawn & Fred Wistow
  • 13: On NBC Today Show
  • 16.05.-26.05.: Filming L&O: CI - To The Boy in the Blue Knit Cap
  • 20: Criminal Intent Wrap Party at Craftbar
  • 30: Start of Criminal Intent Season 10 on NBC
June:July:
  • 19.: "Crazy, Stupid, Love." World Premiere at the Ziegfeld Theater
  • 23.: Speaking in Tongues - WordTheatre at Guild Hall, East Hampton
August:
  • 01.: World Mutt-i-grees Rescue Day press conference in Port Washington, New York
  • 06.: Sunny Side Up at the 20th Annual Woods Hole Film Festival (WHFF)
  • 08.-11.: Mother's House at The Long Island Film Festival
  • 22.: Opening night after party for 'Bluebird' - Atlantic Theater Company at Jake's Saloon, New York City
  • 30.: Woodstock Film Festival Launch Party, Lower East Side in NYC
September:
  • 21.-25.: Mother's House at the 12th annual Woodstock Film Festival [23rd + 24th Sep.]
  • 25.: NSALA Adoption Event, Pier 40 75 9 th Ave NYC (12:00 PM - 5:00 PM)
October:
  • 06.-09.: Mother's House at Louisville's International Festival of Film (LIFF) [8th Oct.]
  • 15.: Sunny Side Up at 9th Annual Jacksonville Film Festival [Jax Film Fest]
  • 17.: Playwrights Horizons - Dirty Laundry, 416 West 42nd Street
  • 19.-23.: Mother's House at Lucerne International Festival of Film (LiFF) [21st Oct.]
  • 20.-23.: Mother's House at Ojai Film Festival [21st + 23nd Oct.]
  • 20.-23.: Mother's House at 9th Tallgrass Film Festival [21st + 22nd Oct.]
November:
  • 01.-06.: Mother's House at Big Apple International Film Festival (BAFF) [6th Nov.]
December:
  • 05.: After Party for the opening night of Atlantic Theater Company's 'Happy Hour' at the Pio Pi
  • 12.: Start of rehearsals for Yosemite at Rattlestick Playwrights Theater

Friday, December 30, 2011

Emmys: So much for stability

Why does Emmy seem to avoid the dynamic stalwarts on long-running shows?
By KATHY TRACY on Variety.com
Posted: Wed., Jun. 7, 2006, 9:00pm PT

For a new series, especially one teetering on the ratings bubble, an Emmy nomination can bring much-needed attention to the show. As a result, networks often spend a lion's share of marketing dollars promoting worthy performances in their emerging series. But the spotlight doesn't always shine as brightly on established, long-running shows, leaving some of the best dramatic work of television overlooked come award season.
For instance, Maura Tierney has served as the grounding force on "ER" in recent years, but hasn't been nominated since her first season on the show.

"After 12 years on the air, the show itself stops being even thought about in those terms," says the actress, whose onscreen pregnancy was threatened by a hostage situation in the season finale. "'ER' had its moment, and now there are new shows that deserve to be recognized. So unfortunately, if you got on a show when that moment has passed, maybe your work is not as recognized as it could be in that particular way. But it doesn't mean it's still not satisfying."

Another series regular unrecognized for years of solid work is S. Epatha Merkerson, who won her first Emmy in 2005 for her role in HBO's "Lackawanna Blues." In her 13 seasons on "Law & Order," she has never been nominated for her contributions as Lt. Anita Van Buren.

According to "Law & Order" exec producer Nicholas Wootton, "The lieutenant job in any copshow is always the toughest position." Those actors have to work as a sounding board and don't typically get the scenery-chewing scenes the detectives do. "Every season with Epatha, we always try to give her a show or two episodes because she is so good," he says, but when it comes to awards, "I think there's sort of a natural tendency to want to look towards the fresher, newer person on the scene."

After six seasons, "Gilmore Girls" star Lauren Graham takes a pragmatic approach to the awards process. "People vote for what they like," she says. "All of these things are to some degree about popularity. It's not like we're the most popular show in the world. We're in a tough position -- we're still on a network (the WB), but it's a network that isn't as watched."

The primary driving force for staying focused and growing in a role isn't the specter of possible Emmy consideration but in finding those moments of personal growth and satisfaction. "To keep interesting and fresh and not repeat yourself is a challenge," Tierney says. "When we can pull that off and still do a relevant show, that's really satisfying in and of itself."

Graham's "Gilmore Girls" co-star Alex Bledel agrees. "The great thing is to work on a show with good writing, to have material that is challenging. I certainly don't have any expectations. An award is just a wonderful extra."

Character growth and nuanced performances rarely get rewarded with Emmy nominations, a fact "Law & Order: Criminal Intent" star Kathryn Erbe readily accepts.

"While I appreciate the value of awards, I have gotten used to not being nominated," she laughs. "I've gotten used to having a not-so-flashy career. I con sider myself a blue-collar actor. I have done other things on television that might have been more appropriate for Emmy consideration, like 'Oz,' where I got to flex my emotional acting muscles more than playing Detective Eames, where those emotional moments are few and far between.

"For the most part, in terms of awards and in terms of the job -- because I am so grateful and so lucky to have it -- I have resigned myself to finding what I can to feel good about and stretch my own muscles as much as I can within what I am given, because it is what it is."

Erbe says that the biggest rewards come from the audience. "Almost everywhere I go now, there is someone who will say something to me, and it is incredibly gratifying. I am not the kind of person who is going to go to the luncheons or go socialize because I don't have time. I cannot really compete in the way that maybe some other people can. I'm a single mother of two just trying to live my life and do good work that I can be proud of. So every time the work is recognized, I am so deeply grateful. That alone means a lot to me, forget about the actual award."

Leslie Siebert, senior managing partner of the Gersh Agency, believes that in the big picture of a career, the importance of an Emmy nomination or win is overstated. "We'd all love our clients to get nominated for Emmys," she says. "We are fortunate enough to have Patricia Arquette as a client, and she won last year for 'Medium.' And it was fantastic for her, but did it change her life? Probably not. Did it help her get movie roles more easily? Not necessarily. In a renegotiation, it can be very, very helpful if you can say your client has won an Emmy, but other than that, I honestly don't really see where it has any lasting impact."

Tierney echoes that sentiment: "My Emmy experience is very weird personally because the year I was nominated, 9/11 happened. So the Emmys were canceled. Then we bombed Afghanistan, and they were canceled again. There was so much going on in the world that was horrifying and impactful that it completely put awards in perspective -- they're a nice perk, but you don't really think about them."

Thursday, December 29, 2011

The Advertiser 06/09/2004

For the next 'on stage' entry I strolled along The Massage Board Criminal-Intent.us, yesterday and I found this very cool Australian article. Unfortunately I didn't found the original source in web. Nevertheless, enjoy:

This Kathryn Erbe interview is from today's issue of The Advertiser, Sydney, Australia...

Intent on the toddler, Law & Order: Criminal Intent star Kathryn Erbe is on the phone from America. "Excuse me one second, I just have to kiss my son goodbye," she says. Her son Carson Kinney is the reason why Erbe's character Detective Alex Eames will be off air for a while.

Erbe took maternity leave from the show after Carson was born in October (her husband is Terry Kinney) and was off screen for "about six weeks". Dallas-born Samantha Buck (Third Watch ) is filling in as Detective G. Lynn Bishop - assisting Detective Robert Goren (Vincent D'Onofrio) in the absence of regular partner, Eames.

Erbe describes the towering D'Onofrio as "fantastic and complicated and challenging" to work with.

"It's always inspiring and has been quite a journey working together for as long we have," she says. "It's important to take time and think things through and be creative. He (Vincent) always does that and sometimes I have patience for that and sometimes I don't and we have sort of power struggles."

So who wins?

"A lot of the time I win, he's very generous in that way."

Wednesday, December 28, 2011

A Month in the Country on Broadway

Untapdtreasure found this awesome 'on stage' photo of Kathryn made by Carol Rosegg. I took this happy accident to complete my 'A Month in the Country' entry for the On Stage section [done 8/20].

A Month in the Country

image name

Opening:
April 04th, 1995
Theatres:
Roundabout Theatre Company
Criterion Center Stage Right
1530 Broadway
New York, NY
Run Time:
April 04th – June 10th 1995 [79 performances]
Acts:
5
Market:
Broadway

Production Staff

Playwright: Ivan Sergeyevitch Turgenev
Translator: Richard Freeborn
Director: Scott Ellis
Scenic Design: Santo Loquasto
Costume Design: Jane Greenwood
Lighting Design: Brian Nason
Sound Design: Tony Meola

Cast

F. Murray Abraham…Ignaty Illyich Shpichelsky
Helen Mirren…Natalia Petrovna
Ron Rifkin…Rakitin
Patricia T. A. Ageheim…Katia
Kathryn Erbe…Verochka
Gail Grate…Lizaveta Bogdanovna
Byron Jennings…Yslaev
John Christopher Jones…Bolshintsov
Dan Moran…Matvei
Alessandro Nivola…Beliaev
Rocco Sisto…Shaaf
Helen Stenborg…Anna Semyenovna Yslaeva
Benjamin N. Ungar…Kolia

Full cast and staff

Playbill June 1995, Vol 95, No 6:

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Plot Synopsis:

The action takes place on the Islaev Estate in Russia in the 1840's.

Natalya discovers that she is passionately in love with her son’s tutor while spending a month on a country estate in Ivan Turgenev’s 1872 play.

Review

… Two performances stand out. Kathryn Erbe is exceptionally fine as the young, sweetly bewildered Vera, whom the jealous Natalya Petrovna drives into a loveless marriage. Though John Christopher Jones is onstage only for a couple of scenes, he effectively steals the play as "the fat, stupid, pompous" landowner who wins Vera's hand by default. He's the play's burlesque element, briefly hilarious and welcome. This also says something about the imperfect balance within the production…by Vincent Canby; April 26, 1995

… The most exciting performances are by Kathryn Erbe, as Natalya's ward Verochka, and Alessandro Nivola, as Verochka's tutor, with whom the aging Natalya falls heedlessly in love. Erbe and Nivla make the innocence of the two heartbreakingly believable…by Howard Kissel; April 26, 1995

… Mirren flips over the youthful tutor (Alessandro Nivola), thus becoming a rival to her ward, played with pubescent heartbreak by Kathryn Erbe…by Jack Zink; May 23, 1995

Sources: